©陶陶居藝廊擁有所有照片的版權, 嚴禁盜用
©Tao Tao Art holding the copyright of all photos. Unauthorized use is strictly prohibited.
觀音大士，悉號圓通，十二大願誓弘深，苦海度迷津，救苦尋聲，無剎不現身。
觀音像
1994-1995 年
廖洪標原作
36×26×43 cm
Guanyin
1994-1995
Original Work of Liao Hongbiao
《觀自在菩薩》是廖洪標巔峰之作，於限量精品完成後須將模子敲碎，保證版權和質量，以示對藏家負責。而原先用來開模之原作已殘破不堪，故廖洪標又另製《觀音像》原作。
《觀自在菩薩》與《觀音像》創作形式差異不大，因廖洪標創作《觀自在菩薩》時，已將人物法相、坐姿、手印等都做了完美詮釋。
為了與精品觀音有所區別，原作《觀音像》的尺寸較大，神韻略顯肅穆些，坐姿也較高，許多細部上如瓔珞、臂釧、手環等配件也都稍做變化，頸部二道改為三道，衣紋採較多直線條，使原作《觀音像》於自在祥和的氣韻中增添些肅穆感。
"Avalokitesvara" was a work produced at the peak of Liao Hongbiao's creativity. In order to show how responsible he was to the collectors, the mould was smashed after a limited edition of works made with extra care had been produced so that the issue of intellectual property was taken into consideration and the quality of the work could be guaranteed. As the original work had been damaged to such an extent that it could never be recovered, Liao Hongbiao produced the original work of "Guanyin".
There was no big difference between the creative forms of “Avalokitesvara” and “Guanyin”, because when Liao worked on “Avalokite?vara”, he had already given a perfect interpretation of the figure’s features, poise and hand gestures.
With the intention to differentiate “Guanyin” from the works of the deity made with extra care, Liao produced the original work of “Guanyin””with a bigger size, a more solemn expression and a sitting poise at a higher level. Details of the accessories such as necklaces of jade and pearls, arm bracelets and wrist bracelets have also been slightly changed. Three lines instead of two lines are found on the neck. More straight lines are found on the drapery. By making the above changes, a sense of solemnity is injected into the calm-looking original work of “Guanyin”.
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