「嶺南藝粹 · 南粵光影」“Light and Shadows - The Finest Cantonese Artistry”

(佛山) : 石灣陶藝

 

素胎樹頭筆筒

　

清代晚期

“嶺南陶隱居陳渭岩誠一窯製”陽紋方印

 

 

　

 

 

Wood stump-shaped Brush Pot in biscuit

Late Qing dynasty

Square mark of “Lingnan Taoyin ju Chen Weiyan Chengyi yao zhi [made by Chengyi kiln, Chen Weiyan of Taoyin Studio, Lingnan]” in relief

H 19 cm

　

 

　

　

　

陳渭岩（1868∼1926）

清光緒至民國年間名家。原名勝，號惠巖， 又號養雲居士。 所製的人物、動物和器皿都極工整，別饒風格。又善仿製古代名窯釉色，如仿宜興窯松樹頭畫筒、筆筒，為典型的代表作品。曾偕藝徒潘玉書到江西景德鎮交流技術經驗，仿景德鎮瓷塑作法，用瓷士塑造了一批作品，施繪粉彩釉，融匯兩地工藝特色，別樹新樣。

Chen Weiyan（1868∼1926）

A famous potter lived at the turn of the century. His original name was Sheng and Weiyan was his style. He was also known as Yang-Yun Ju-Shi. His works - figurines, animals, pottery wares are neat and proper, forming a style of his own. He was also skilled in imitating the coloured glazes of some ancient famous kilns, such as the scroll and brush holders in the shape of a pine tree stump in the style of Yixing wares which are his typical representative works. He took his apprentice, Pan Yushu to Jingdezhen, Jiangxi where he exchanged his experience with the potters and learned from them their technique. There he made many things with porcelain clay and decorated them with multi-coloured enamel glazes, combining the techniques of Shiwan and Jingdezhen, and created a new style.